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A hip pocket release for Funkadelic's legendary album. This reissue includes the original seven track album and is the first of our LP facsimile releases to feature a gatefold sleeve. MAGGOT BRAIN is rated by, amongst others, Mojo Magazine as an all-time classic. Their critics voted it the fourth greatest guitar album ever, only beaten by Jimi Hendrix and the Who. Guitarist Eddie Hazel's playing on the title track is nothing short of stunning!
Funkadelic was George Clinton's chance to get serious. Unlike Parliament, Funkadelic exhibited topical lyrics and an almost heavy-metal edge, one that included screeching, distorted guitar and unsettling musical turns. This 1971 album, Funkadelic's second release, catches the ensemble in its early prime. The Hendrix-inspired dramatics come courtesy of Eddie Hazel, while Bernie Worrell admirably handles the keyboard chores. Clinton's humorous, sober lyrics address poverty, race relations, and drug use. Musically, the band covers lots of ground: Everything from smooth soul and heavy rock to abstract psychedelia and straight-on funky grooves has a place, and these jarring shifts are what make the album a revolutionary work. --Marc Greilsamer
it's great funk and rockReviewed by B. E Jackson, 2010-03-12
Tonight is the very first time I'm getting to check out Funkadelic
to *finally* see what all the fuss is about, so I decided to make
my first experience the Maggot Brain album thanks to several
recommendations (I AM a huge classic rock fan after all).
I know this much- without even hesitating, I KNOW I will dig this
band.
I like funky rhythms, extended, soulful guitar solos, and muddy
production. That's why I like the early 70's so much. I already
love Funkadelic!
One thing that kind of bugs me though is the title song. Please
don't criticize me for stating this, but the majority of the guitar
playing taking place during this 10-minute jam seriously reminds me
of several moments from an album called UFO: Flying.
Now the reason I bring this up is because a google search reveals
that the UFO album came out in February of 1971, and Maggot Brain
came out in July of '71.
I'm not going to sit here and say the guitarist from Funkadelic
ripped off his jams from the UFO album (because whether that's true
or not, I honestly don't know).
I just know there's a startling resemblance between the title song
and the extended jams featured on the UFO album. Whether there's a
connection between the two bands or not, or whether the band
members actually crossed paths at some point (like during a tour)
and were inspired by each other, I haven't a clue. I just know I
hear guitar playing that sounds nearly identical on both
albums.
Despite that, I LOVE the title song on Maggot Brain. Some of the
most beautiful, soulful, and delightful guitar jamming I've ever
heard. It probably surpasses the majority of the previously
mentioned UFO album, in fact.
I *would* like to know which album came out first. I hope people
aren't citing this album as something original though, because a
little bit of funk thrown in between some guitar jamming has been
done before (even on UFO: Flying- I'm SORRY for bringing it up
again, haha, please forgive me!)
The other jam, called "Wars of Armageddon" is much funkier and
almost straight forward in the guitar jamming, but that's actually
a compliment to the song because it seems the band members wanted
to make it all about the funkiness, and they certainly succeeded
with that. I could do without the nonsense talking bit in the
middle though.
Sometimes this album reminds me of Grand Funk Railroad as well.
Check out that band if you like what you're hearing on Maggot
Brain. This is definitely a very good 5-star album.
I can't quite give in to popular opinion and state this is one of
the best albums of the early 70's, but for a little bit of funk and
rock combined, these guys are definitely quite talented and deliver
with an album that's mostly memorable.
Product ReviewReviewed by Renzo Nery, 2009-07-18
Maggot Brain is a 1971 album by the American funk band Funkadelic.
It was released on Westbound Records. The music swings through
psychedelia, hard rock, gospel and soul music, with tremendous
variation between each track.
In 2003, the album was ranked number 486 on Rolling Stone
magazine's list of the 500 greatest albums of all time. Pitchfork
Media ranked it #17 in their Top 100 Albums of the 70s list.
"Maggot Brain" - The song's story
According to legend, George Clinton, under the influence of LSD,
told Eddie Hazel to play the first half of the song like his mother
had just died and to play the second half as if he had found out
she was alive (other variants of the story suggest that he was
simply told to play as if he had found his mother dead.) The result
was the 10-minute guitar solo for which Hazel is most fondly
remembered by many music critics and fans. Though several other
musicians began the track playing, Clinton soon realized the power
of Hazel's solo and faded them out so that the focus would be on
Hazel's guitar (the band can only truly be heard during the end of
the song, and even then, it is barely audible.) The entire track
was recorded in one take.[1] The solo is played in a pentatonic
minor scale in the key of E over another guitar track of a simple
arpeggio. Hazel's solo was played through a fuzzbox and a wah
pedal; some sections of the song utilize a delay effect. This style
would be revisited later in Standing on the Verge of Getting It On
on the track "Good Thoughts, Bad Thoughts". The original version
with full band accompaniment was released in 1997 on the album
"Funkadelic Finest".
An Ambitious, Classic ReleaseReviewed by Mr. Richard D. Coreno, 2007-03-18
There are few bands who would take the creative chances like
Funkadelic did on its 1971 album. The band's second release
highlights guitarist Eddie Hazel in songs that are more avant-garde
and heavy-metal in nature, with doses of psychedelia and funky
grooves.
Hazel's searing work on Maggot Brain is brilliant and arguably the
finest solo put down in the studio during that guitar-laden decade
in rock, with Back in Our Minds & Super Stupid equally
outstanding.
Wars of Armageddon is one fine politically-charged song, while You
and Your Folks, Me and My Folks, takes aim at racism in that George
Clinton kind of way. The themes in both songs unfortunately
resonate as strongly in news stories today as they did in the
1970s.
Can You Get to That is the gateway to the R&B and gospel
influences that will mostly dominate future releases, while Bernie
Worrell's keyboards drive Hit It and Quit It.
What was setting the stage for the P Funk mythology - through the
freedom of funk and Mother Earth - became one of the more
influential releases for metal, punk and the rock/avant-garde
movement led by Brian Eno & Robert Fripp
(Frippertronics).
It may not be Funkadelic at its funkiest, but it is the band
stretching the boundaries of sound in one amazing album.
"I have tasted the maggots of the human mind/I was not offended/for
I knew that I must rise up/or else drown in my own sh*t".Reviewed by finulanu, 2007-01-13
Okay, WTF? Seriously though, that has got to be the coolest opening
line in history. And it opens arguably the coolest guitar solo in
history. For ten minutes, Eddie Hazel blows Jimi Hendrix, Eric
Clapton, Duane Allman, Santana, Jimmy Page, and every other guitar
hero you've had off the map. He also puts stooges like Joe Walsh
and Ritchie Blackmore in their places. He gets rage, joy,
tenderness, sadness, and much more outta that thing...
damn...
1. Maggot Brain: 1000000/10. Have I mentined it's the best guitar
solo EVER?
2. Can You Get to That: 10/10. Always liked this number, a catchy
little soulful thing with great harmonies.
3. Hit It and Quit It: 10/10. Eddie Hazel strikes back, adding in
ashort-but-sweet guitar solo. Good song otherwise.
4. You and Your Folks, Me and My Folks: 10/10. George Clinton's
Everyday People, a statement on racism made in the way only he
could make.
5. Super Stupid: 8/10. The lyrics need a bit of work, but Hazel
rocks out.
6. Back in Our Minds: 6.5/10. Good message, but only an average
song.
7. Wars of Armageddon: ...okay then/10. A ten minute freakout a la
Free Your Mind and Your Ass Will Follow. It's weird, all right, but
a good type of weird.
They Set The Tone!Reviewed by BKenny, 2006-09-07
Parliament/Funkadelic set the tone with this album. I did not hear
it until my adult years and This by far is a great CD.
If you have an ear to ear, you know that "Mother Earth" has been
used and humanity is the one that "stuck it to her" and then left
her. Parliament/Funkadelic was and still is very deep! The music
alone sets you in a groove that you have to experience for
yourself! They let you know in "Can You Get To That" what is what
in that day and time and in some respects, still applies.Enough of
the psyco mumbo jumbo, this album is hot!! This set the tone for
what was to come next. Eddie Hazel is magnificent on Maggot Brain
and as far as I am concerned Jimi could have learned a thing or two
from Eddie! These two styles are not such a comparison as many
people write---Eddie, Tawl, Billy and Tiki were in a class all by
themselves not to mention Bernie "Da Vincci" Worrell--The Woo-Man
himself took music to another level. "So sit back and dig while
they do it to your earhole"......